If you love wines with elegance, fragrance and longevity, then you’ll love the just-released 2012 Brunellos. And even though I’m one of the biggest critics of the Consorzio’s Brunello vintage classifications (I find most vintages have been overrated), when it comes to 2012’s five-star rating, I completely I agree.
Defying the intense heat of the growing season, many 2012s have the vibrancy usually found in cooler vintages. They boast juicy red berry fruit, noble tannins and impeccable balance that will allow them to age well for years. Out of the 140 Brunello 2012s I tasted so far, I rated 88 wines 90 points or more, with 20 of these getting 94 points or higher. I was pleasantly surprised to see a return to finesse, enticing aromas and generally lower alcohol levels when compared to other recent releases.
The 2012s even have more consistent quality across the denomination than the highly acclaimed 2010s. The latter were a mixed bag divided between majestic wines boasting structure and finesse, and subpar wines marred by low acidity, cooked fruit and alcohol of 15% abv or more.
Quality is more uniform in 2012, but in terms of weather, 2012 was an undeniably difficult year. Unstable conditions included a cold, wet winter and an extremely hot, dry summer marked by late rains. But the extended heat wave was gentler on the grapes than the turbulent temperature changes of other past vintages.
Perhaps the biggest disadvantage facing the just-released 2011 Brunello vintage – awarded four out five stars by the Consorzio – is that it comes on the heels of the widely acclaimed 2010. And while the 2011s won’t be remembered as an historic vintage, overall they have an immediate, juicy allure that exceeded my expectations from what was a difficult, at times torrid vintage. The best also show some staying power, and more than a few showed unexpected complexity.
The best 2010 Riservas are displaying impeccable balance, restraint and complexity. And while many have cellaring potential, they are still more immediate than Riservas from cooler vintages. The good news is this also means you also won’t have to wait decades before you can enjoy them, as is the case with quintessential Riservas. I also gave a rare 100 points to Biondi Santi’s drop-dead gorgeous Riserva, which shows real aging potential to boot.
The Italian wine world lost an icon when Brunello legend Franco Biondi Santi, dubbed “The Gentleman of Brunello,” died over the weekend. He was 91 years old.
Franco—whose grandfather, Ferruccio Biondi Santi, invented Brunello in the late 1800s—learned the winemaking craft from his father, Tancredi, one of Italy’s most celebrated enologists. When Franco inherited the family’s Greppo estate in 1970, he remained true to his father’s traditions while also improving quality, starting with a lengthy collaboration with the University of Florence that allowed him to isolate the best Sangiovese clones on the estate.
Franco was an avid defender of traditional Brunello, and refused to rely on any winemaking techniques that could potentially change the quintessential characteristics of his wines.
Drunk by the Queen, hidden from view during WWII: the wines of Biondi Santi. (The head of the renowned estate, Franco Biondi Santi, died suddenly at the weekend. This interview by Kerin O’Keefe was one of his last.)
While the notion of terroir has been both celebrated and ridiculed in some of the world’s greatest wine-producing areas, one of Italy’s most illustrious denominations has instead chosen to ignore it—until now. Kerin O’Keefe discovers Montalcino’s unofficial subzones.
Majestic. Elegant. Powerful. Long-lived. Expensive. Rare. All these adjectives have been applied to Brunello di Montalcino by the world’s leading wine authorities, from Cyril Ray to Burton Anderson, but may soon be supplemented by another much less positive—overflowing. Due to massive overplanting, Brunello production is now on the brink of exploding, which has pushed the long-neglected question of Brunello’s tipicità to the forefront, as Montalcino winemakers search for ways to protect Brunello’s identity and prestige from the perils posed by a saturated market. As areas previously considered unsuitable for winemaking are cultivated, many producers feel the time has come to recognize officially Montalcino’s greatly varied subzones and to curb vinification techniques that render a more international style.
Con il suo libro Kerin non ci propone solo una documentata, appassionata, ben raccontata biografia della dinastia Biondi Santi e di Franco, gentleman del Brunello, descritto a tutto tondo nella sua umanità e nel suo voler essere il degno testimone di un impegno, quello della qualità senza discussioni, che è sentito ancor più fortemente perché s’intreccia con la storia della sua famiglia.
O’Keefe, e di questo dobbiamo esserle profondamente grati, nel suo libro dimostra di credere in una sua idea del Brunello, (che, vedi caso, coincide con la visione di Franco Biondi Santi), e con coraggio, senza perifrasi e giri di parole, ricorda chiaramente che ora ci si trova di fronte ad una “situazione allarmante per il futuro del Brunello, il cui carattere e la cui tipicità uniche al mondo sono minacciate”, e che “oggi con il futuro di questo grande vino in pericolo e il volere da parte di certi produttori di cambiare ancora il disciplinare”, Franco Biondi Santi ha scelto di aderire al Consorzio per combattere dal di dentro ,”nella speranza che lui e gli altri produttori del Brunello tradizionale possano fermare la tendenza a renderlo un vino irriconoscibile”.
A modern-day war is being waged in Italy’s most renowned and treasured wine regions.
Of course there are no real battlefields and no loss of life. Instead, this war is being fought in seemingly idillic vineyards and winery cellars up and down the peninsula as two schools of tought clash. In jeopardy in this conflict are native grape varieties, prized wines and years of winemaking tradition. Some obeservers even argue that those who admire and enjoy Italy’s unique wines could suffer.